Bach Bibliography Search Result

Series : ^ChoralJ$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Performance practices in the Baroque period.	ChoralJ	11	9	May 1971	12-13
	2.	Interview with Helmuth Rilling.	ChoralJ	16	3	Nov 1975	5-6
	3.	The Passion Music of Sebastian Bach and Heinrich Schuetz.	ChoralJ	16	3	Nov 1975	10-13
	4.	C. P. E. Bach and his Oratorios.	ChoralJ	21	5	Jan 1981	34, 36-40
	5.	Bach's 'St. John Passion' - a look at the Text and a New Numbering System.	ChoralJ	21	6	Feb 1981	41-44
	6.	Aria form in the Bach B-minor Mass.	ChoralJ	22	4	Dec 1981	17-19,22
	7.	Bach and the twenty-third Psalm.	ChoralJ	22	8	Apr 1982	39-42
	8.	The motets of Johann Michael Bach.	ChoralJ	24	10	Jun 1984	11-21
	9.	Bach in the Thomaskirche.	ChoralJ	25	10	Jun 1985	6
	10.	Bach's significance.	ChoralJ	25	10	Jun 1985	7-14
	11.	Performance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'.	ChoralJ	25	10	Jun 1985	15-19
	12.	Articulation in Late Baroque Choral Music.	ChoralJ	27	10	May 1987	17-30
	13.	A Performers Guide To J. S. Bach's Cantata BWV 106.	ChoralJ	27	2	Sep 1986	15-18
	14.	J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure.	ChoralJ	29	7	Feb 1989	5-11
	15.	Samuel Felsted's Jonah - The Earliest American Oratorio.	ChoralJ	32	7	Feb 1992	27-32
	16.	Mendelssohn's Lobgesang: A fusion of forms and textures.	ChoralJ	33	4	Nov 1992	19-26
	17.	Mendelssohn's Chorale Cantatas: A Well-Kept Secret.	ChoralJ	33	4	Nov 1992	31-33
	18.	The Bethlehem Bach Choir approaches its centennial.	ChoralJ	34	9	Apr 1994	13-18
	19.	Helmut Rilling celebrates two anniversaries.	ChoralJ	35	5	Dec 1994	9-15
	20.	J. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices.	ChoralJ	35	8	Mar 1995	21-29
	21.	Index to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog.	ChoralJ	35	8	Mar 1995	37-39, 42-44
	22.	Wie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach.	ChoralJ	38	5	Dec 1997	9-14
	23.	Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison.	ChoralJ	39	5	Dec 1998	49-53
	24.	Bach and Graupner: The Audition Cantatas.	ChoralJ	39	7	Feb 1999	9-15
	25.	Mourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion.	ChoralJ	40	3	Oct 1999	9-22
	26.	Recitatives and Arias in Bach's Leipzig Church Cantatas.	ChoralJ	41	4	Nov 2000	9-20
	27.	J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal.	ChoralJ	41	4	Nov 2000	21-28
	28.	Bach's Use of the Chiasm in the St John Passion.	ChoralJ	41	4	Nov 2000	29-36
	29.	Bach Cantatas for Choirs.	ChoralJ	41	4	Nov 2000	39-45
	30.	Selected Examples of Choreinbau in the Cantatas of J.S. Bach.	ChoralJ	41	5	Dec 2000	25-35
	31.	Bach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879.	ChoralJ	41	9	Apr 2001	21-33
	32.	Examination of movements 4 and 4a of Magnificat in D, Wq 215 (1747-49 1790-82) by Carl Philipp Emanuel Bach.	ChoralJ	46	5	Nov 2005	16-31
	33.	Elements of Empfindsamkeit in the Heilig Wq. 217 (H.778) of Carl Philipp Emanuel Bach.	ChoralJ	46	9	Mar 2006	10-23
	34.	Christmas 1723. Johann Sebastian Bach's Artistic Evolution.	ChoralJ	48	1	Jul 2007	14-23
	35.	Hidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas.	ChoralJ	51	1	Aug 2010	6-17
	36.	In the footsteps of Bach: An interview with Georg Christoph Biller.	ChoralJ	54	1	Aug 2013	34-43
	37.	A brief study of the Six motets of Johann Sebastian Bach.	ChoralJ	8	2	Nov-Dec 1967	14-15
	38.	The Problem of Accompaniment.	ChoralJ	9	1	Jul-Aug 1968	21-22
	39.	On Bach's Motets. (The Relationship of Text and Music).	ChoralJ	9	2	Sep-Oct 1968	19-21
	40.	On Bach's Motets. Analysis of Compositional Technique used for Double Choir.	ChoralJ	9	3	Nov-Dec 1968	21-23